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Accel World Vs Sword Art Online Collect Some Mushrooms

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Sun/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If y'all've e'er taken an art history course or spent time in a fine arts museum, chances are you know a lot about the men who "defined" their mediums. Every bit with other subjects, most of what we learn most art history today still centers on white men from Europe and, later, the The states. In reality, at that place are and so many more artists of all genders to learn from and appreciate.

Here, we're specifically taking a look at just some of the women who accept had lasting impacts on their art forms. From some of the art globe's most iconic pioneers to its most unsung heroes, these women artists all had a paw — and, in some cases, all the same have a paw — in irresolute the earth of fine art and how we define information technology.

Laura Wheeler Waring

Laura Wheeler Waring'due south portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Eatables

Laura Wheeler Waring was an artist and educator who taught at Cheyney University in Pennsylvania for more 30 years. Afterwards studying the work of painters like Cézanne and Monet while abroad, she returned to the U.s.a., becoming best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

2 photographs from Cindy Sherman's Untitled Film Stills (1977–80). series. Photos Courtesy: Museum of Mod Art (MoMA)

Lensman Cindy Sherman was function of the Pictures Generation during the 1980s, and is peradventure most well known for her serial of Untitled Film Stills (1977–80) — cocky-portraits in which Sherman "posed in the guises of diverse generic female moving-picture show characters, among them, ingénue, working girl, vamp, and lonely housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media'due south influence over our private and collective identities.

Yoko Ono

A even so from the performance Cut Piece, 1964, and a picture of the installation One-half-A-Room, 1967, as seen at the Museum of Modern Art in New York City in 2015. Photos Courtesy: Museum of Mod Fine art (MoMA)

You might first think of Yoko Ono as a musician and activist, but she'due south besides an accomplished performance and conceptual artist. Ono was considered a pioneer in the operation art movement, earning the nickname the "Loftier Priestess of the Happening".

One of her most revered works, Cut Piece, was a performance she first staged in Japan; Ono sabbatum on stage in a dainty adapt and placed scissors in front of her, and, in an act of daring vulnerability, invited audition members to come on stage and cut away pieces of her clothing. "Fine art is like breathing for me," Ono has said. "If I don't do it, I start to asphyxiate."

Betye Saar

Betye Saar's Black Daughter'due south Window, 1969 (full and detail). Photos Courtesy: Museum of Modern Fine art (MoMA)

Before condign a printmaker and activist, Betye Saar studied pattern and was employed as a social worker. A printmaking constituent changed her entire career trajectory — and, in plough, part of the trajectory of art history.

Saar was function of the Black Arts Movement in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the trick is to seduce the viewer," Saar has said. "If yous can go the viewer to look at a work of art, then you might be able to give them some sort of message."

Frida Kahlo

People look at Frida Kahlo's 1939 painting Las Dos Fridas at the World Forum of Civilisation in 2007, which was held in Mexico. Photo Courtesy: Alejandro Acosta/AFP/Getty Images

Information technology's rare to find someone who hasn't at least heard of Frida Kahlo. A cocky-taught painter from United mexican states, she is best known for exploring themes similar expiry and identity through her cocky-portraits. Kahlo often used assuming, bright colors to create her symbol-rich works, and was regarded as one of the nearly influential artists of the Surrealist movement.

Yayoi Kusama

A viewer photographs inside the Backwash of Obliteration of Eternity room during a preview of the Yayoi Kusama's Infinity Mirrors exhibit at the Hirshhorn Museum February 21, 2017 in Washington, D.C. Photograph Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young age, just she'due south also known for her hyper-real sculptures, polka dots, installations, and and so much more than. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her enduring Mirror/Infinity rooms serial, which use mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Former First Lady Michelle Obama (Fifty) and artist Amy Sherald (R) unveil Mrs. Obama's portrait at the Smithsonian's National Portrait Gallery in Washington, D.C. on February 12, 2018. Photo by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, often doing everyday activities — something that became more common in portraiture writ large in the mid-19th century. Odds are that yous recognize Sherald's work — and her signature grayscale skin tones — as she was the first Blackness adult female to complete a presidential portrait for the Smithsonian's National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors abreast a work from her series, Pelvis Series Carmine With Yellowish in Albuquerque, New Mexico. Photo Courtesy: Tony Vaccaro/Getty Images

Known equally the female parent of American modernism, you likely associate Georgia O'Keeffe with her paintings of New Mexico'southward landscapes, flowers, skulls, and, just mayhap, the skyscrapers of New York City. In the 1920s, she was the first adult female painter to proceeds the respect of the New York art earth, all past painting in her unique style.

Adrian Piper

Adrian Piper wins the Golden Lion for best artist in Okwui Enwezor's biennial exhibition All the World's Futures, part of the 56th Venice Biennale in 2015. Photograph Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York Urban center. She used her work to question society, identity, and racial politics by demanding the audience to confront truths nearly themselves. She often challenged people on the streets of New York to guess her race, socio-economic form, and gender — all while dressed every bit a Black homo with a faux mustache and sunglasses, or while wearing compelling statements on her apparel.

Shirin Neshat

Shirin Neshat'due south poses in front of a photograph in her exhibition Our House Is on Burn at the Robert Rauschenberg Foundation in New York Metropolis in 2014. Photograph Courtesy: Cem Ozdel/Anadolu Bureau/Getty Images

Shirin Neshat left Iran in 1974 to study art in Los Angeles, California — before the Islamic republic of iran Islamic Revolution took identify. She is best known for her photography, film, and video work, much of which explores the relationship betwixt Islam'south cultural and religious systems and women. Moreover, Neshat'south works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in forepart of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

As a neo-conceptual artist, Jenny Holzer's work focuses on words and ideas, which she puts on advertizement billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that act every bit meditations on various concepts, such as trauma, knowledge, and hope. One of her more notable works, I Aroma You On My Skin, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore's Fringe, 2008. Photo Courtesy: Art Gallery of Ontario (Agone)

Much of Rebecca Belmore's fine art addresses identity and history — and, in particular, houselessness and the voicelessness of the Kickoff Nations People in Canada. Equally an Anishinaabekwe artist, she works to raise awareness around the prejudice, violence, and attempted erasure of Ethnic Northward American culture. In 2005, she was the starting time Indigenous woman to represent Canada at the Venice Biennale.

Louise Bourgeois

A person looks at Louise Conservative' Spider. Photograph Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Conservative is amend known for her installation art and sculptures — like the spider above — which were inspired by her own experiences and memories. Throughout her career, she created revolutionary works during a time when abstraction and conceptual art were the primary styles shaping the fine art world.

Mickalene Thomas

Mickalene Thomas' A Little Taste Outside of Love, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced by pop civilisation and pop art, Mickalene Thomas oft embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Black American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago's seminal work The Dinner Political party. Photo Courtesy: Brooklyn Museum

Judy Chicago was one of the major figures within the early Feminist Art motion. As exemplified in her iconic work The Dinner Political party, her installation pieces often examine the office of women in history and civilization — in the 1970s and earlier. While at California State University in Fresno, Chicago founded the first feminist art program in the United States.

Augusta Savage

Augusta Cruel with i of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Athenaeum of American Fine art/Wikimedia Commons

Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In addition to creating breathtaking sculptures, ofttimes of Black folks, Roughshod founded the Brutal Studio of Arts and Crafts in Harlem in 1932, and, a few years later on, she became the first Black American elected to the National Clan of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photo Courtesy: Museum of Modern Fine art (MoMA)

Known for her provocative performance art practices, Carolee Schneemann is considered the progenitor of "body fine art". (Just look upward her almost famous work, Interior Roll, and y'all'll encounter what nosotros hateful.) She used her body to examine women'southward sensuality and liberation from the oppressive artful and social conventions established by our patriarchal society.

Nan Goldin

Nan Goldin's Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Commons

Famous for her in-the-moment photography, Nan Goldin'south work challenges traditional power relations. In addition to documenting New York City'south queer subculture post-Stonewall, Goldin explored the HIV/AIDS crunch, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol's Marilyn Monroe (1967) by Elaine Sturtevant. Photograph Courtesy: Ben Stanstall/AFP/Getty Images

Does this look similar an Andy Warhol to you? Well, that's the idea! Elaine Sturtevant, who went by her terminal name professionally, was a conceptual artist known for her inexact replicas — that is, non-quite-right copies of big-proper noun artists' piece of work.

Some artists and critics encouraged her efforts, while others became quite angry. Withal, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of art culture.

Ruth Asawa

Diverse hanging sculptures by Ruth Asawa at the De Young Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Grouping/Getty Images

During the 1960s, Ruth Asawa created increasingly circuitous wire sculptures. A San Francisco-based artist, Asawa's last public commission was the Garden of Remembrance at San Francisco State University, which was created to recognize Japanese Americans who were interned during World War Two.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on November eight, 2007 in New York City. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a photographer since the age of 9. She uses her photography to examine social norms, and, in doing so, displays diverse subcultures in formal portraits — simply in a way that conveys ability and respect by evoking traditional Renaissance portraiture.

micha cárdenas

Yet from Sin Sol (No Sunday) VR game. Photograph Courtesy: micha cárdenas/YouTube

micha cárdenas is an creative person, author, theorist, and assistant professor who won an Touch Award at the Indiecade Festival in 2020 and the Creative Laurels from the Gender Justice League in 2016. She believes didactics is the path to liberation and uses VR and fine art to address global problems such as racism, gendered violence, and climate change.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstract Expressionist painter who besides specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Administration (WPA).

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